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Reviewing 101: Reviewing, Endorsing, & Influencing: Understanding the Difference

Reviewing 101: Reviewing, Endorsing, & Influencing: Understanding the Difference

Book reviews are for readers. But not all reviews are written with the reader in mind. So when is a book review not a book review? When is it an endorsement? And when is it influencing?

First, let’s define reviewing, endorsing, & influencing.

For our purposes, a book review is just that—a review of a book. It’s usually published, whether in a dead tree newspaper or magazine, or online. Online reviews might be published on a website, a blog, a retail site (e.g. Amazon or Barnes & Noble), a booklover site (e.g. Goodreads or Litsy), or on social media (e.g. Facebook or Instagram). It might be published on one, then promoted on social media. There might be a relationship between the reviewer and the author

An endorsement is usually a comment or review from someone who has a relationship with the author. They might be friends. They might be acquaintances. They might share a publisher or agent. The review might be a full review, or it might be a one-line pull quote that appears on the cover of a book.

Either way it is an endorsement, which is written for the author or publisher to promote the book. It’s not a real book review—because reviews are for readers.

Influencers may or may not have read and reviewed the book, but their primary role is to promote the book for the author.

Reviews are for Readers

Book reviews are written for readers. The purpose of a review is to help readers make good choices about what they read. After all, our time is precious, even more so than our money. I don’t want people to waste money—or time—on book they won’t enjoy, so I try to make clear in my reviews who will (or won’t) enjoy a book.

Authors shouldn’t be afraid of critical reviews. It’s better that a book has one well-written critical review that points out the intrusive omniscient viewpoint and overbearing Christian themes than dozens of reviews from bashers who feel they were tricked into reading Christian fiction when they were looking for a bad boy billionaire romance. (As an aside, if your book is Christian fiction, please categorise it as such to prevent these reviews.)

It’s worth remembering that a review can be positive without being five stars—the star rating is a subjective indication of how much the reviewer liked the book, not an objective rating of how good the book is. There are great works of literature I loathe (*cough* Vanity Fair *cough*). There are badly written novels I’ve enjoyed. Most people agree Twilight is badly written, but the series has done well.

Note also that star ratings vary across sites: “I liked it” is four stars on Amazon, but only three on Goodreads. An a low-star review can still give readers valuable information that might even convince them to buy the book (e.g. “there was no sex”). A review that convinces a reader this won’t be the right book for them is just as valuable as the review that sells a book.

But not all reviews are created equal.

When it comes to online reviews (at Amazon or other sites), it can be hard to know which reviews you can trust. The trick is knowing something about the reviewer’s history. On most sites you can click on the reviewers name and see their profile, which includes their reviews. Goodreads even shows the average rating for a reviewer. I’m looking for reviewers who:

  • Mostly review books (not household appliances or the free app of the day).
  • Review books by a range of authors. I don’t mind if they review in a specific genre (e.g. Christian fiction or cookbooks) as long as they don’t review only a single author.
  • Review the book rather than critiquing the author.
  • Tell me what they like and didn’t like about the book (and don’t just give a plot summary).
  • Review books from a range of publishers.
  • Review both self-published and traditionally published books.
  • Use a range of star ratings in their reviews. A reviewer who gives everything five stars (or one star) doesn’t tell me anything about their reading tastes and whether ‘m going to like the books they like.

I also ignore books that only have five-star reviews from new authors or authors I’m not familiar with. Even the classics have one-star reviews, so lots of five-star reviews is a red flag.

Influencer Reviews

The last few years have seen the rise of the online influencer (thanks, Khardashian family). Big-name influencers have huge followings and can command thousands for a single Tweet or Instagram post (to better understand influencing, click here to check out my review of Influence).

Book reviewers are not in the same league—few receive anything for their work beyond a free copy of the book (regular reviewers often receive free books as well). Some influencer reviews may actually be endorsements, as discussed above.

Street Teams

But I am seeing more and more authors proactively creating influencer teams to help promote their new release books. Sometimes these are called Street Teams or Launch Teams. Basically, a Street Team is a group of readers who are going to read the book and share it with others, promoting it on social media and telling their virtual and real life friends.

My personal standard for being an influencer is that I will only offer to influence if I’ve read and enjoyed the book—which tends to mean something I’ve edited or beta-read. I don’t want to promote a title I didn’t enjoy because that might reflect badly on me. I also review a lot and don’t have much space in my personal or social media schedule to influence. As a result, I’m selective about the titles I choose to influence for.

Being an influencer extends beyond reading and reviewing the book.

Influencing can include:

  • Cover reveal
  • Blog post
  • Social media posts

But the big problem for authors is getting people to join their street team … with a particular focus on people who aren’t already on 20+ other street teams. I can understand the problem—authors

My tips are:

Focus on reviewers who love and regularly promote books in your genre.

The chances are they’ll make more of an effort if your book is in their favourite genre. Even if they don’t, their blog is more likely to attract your target reader, which gives your book visibility with the right audience.

Focus on reviewers who are active on social media (e.g. Facebook, Instagram, Pinterest, and Twitter).

Readers are unlikely to purchase your book the first time they see it. The more times they see your name and your book cover, the better.

Focus on less well-known reviewers.

They might not have the reach of the bigger reviewers and influencers, but that means they are likely to be pleased to have been chosen, and will have the time to put into promoting your book.

Focus on newer reviewers.

A new reviewer is less likely to be a member of multiple street teams, and will therefore be grateful for the opportunity and will work harder to promote your book than the reviewer who is on all the street teams.

What other hints (or questions) do you have about reviews?

Front Matter

Self-Publishing Your Book: Writing Your Front Matter

You’ve finished your book. You’ve outlined, written, revised, edited, edited, edited and proofread 20,000 or 50,000 or 80,000 or more words. Now it’s ready to publish, but there is still more to be written.

You need your front matter and back matter.

A published book is made up of three parts:

  • Front Matter
  • Body
  • Back Matter (also called End Matter)

Today we’re going to look at the front matter: what’s included before Chapter One. This week we’re going to look at the three must-haves of front matter, and two might-haves:

  • Endorsements
  • Title Page
  • Credits Page
  • Dedication
  • Table of Contents

Endorsements

Endorsements are short two to four line quotations aimed at encouraging the reader to buy the book. They may be from prestigious reviews (e.g. Publishers Weekly or Romantic Times), or from well-known authors in the genre. With trade-published books, these are often authors published by the same publisher. Some authors include comments from customer or fan reviews.

An endorsements page is optional. If included, it is usually the first one or two pages of the book, starting on the right-hand page.

Title Page

The title page is always a right-hand page in the front matter. It may be the first page in the book, or it may follow the endorsements.

Credits Page

The credits page or imprint page includes the legal information:

  • Title
  • Publisher name (address optional)
  • ISBN number/s
  • Copyright
  • Permissions
  • Other Credits
  • Disclaimer/s

The credits page is always a left-hand page. It may be opposite the title page, or opposite the dedication page.

ISBN Number/s

The ISBN Is the International Standard Book Number, which allows booksellers to order your book and know they have the correct edition. Different editions of the book will require a different ISBN e.g. paperback, hardcover, ebook. A reprint may use the same ISBN as the original edition, but a new or updated edition may require a new ISBN.

Books are not required to have an ISBN, but it is recommended if you wish to sell through online retailers. Note that Amazon has its own categorising system, the ASIN (Amazon Standard Identification Number). ISBNs are free in some countries (e.g. Canada and New Zealand), but must be purchase in others (e.g. Australia or the United States of America).

Copyright

The copyright information will include:

  • The text copyright (the author/s)
  • Cover copyright (the cover designer)
  • Image copyright (the photographer or stock image site)

The cover designer may or may not retain copyright over their work. This will be covered in your contract, and they should also advise you of their preferred wording e.g. whether they need to be acknowledged as the copyright holder (Cover design © Designer X) or credited (Cover by Designer X).

There should also be a statement to the effect that all rights are reserved, and that the book may not be copied or reproduced in any form without written permission. Many books make a specific exception for short quotations in reviews (a use which is permitted under copyright law in most jurisdictions).

The actual wording of this section may depend on where you live or where the book is published.

Permissions

Authors cannot quote the copyrighted work of another creator without permission. The Credits Page will therefore include the necessary permissions e.g.

  • Bible quotations: most versions of the Bible can be quoted subject to certain restrictions (e.g. less than 500 verses, and not a complete book). Check Bible Gateway for further details.
  • Song lyrics: song titles are not subject to copyright in most jurisdictions, but song lyrics are. Lyrics should not be reproduced without permission. The copyright holder will be able to provide their preferred/required wording.

Other Credits

The author or publisher may wish to credit the cover designer, editor, or typesetter/formatter.

Literary agents may be mentioned as well.

Disclaimer/s

A novel may include a statement that the characters and events depicted in the novel are fictional (assuming they are—some novels are based on real-life events), and any resemblance to actual people living or dead, or to events is coincidental and unintentional.

A historical novel that includes a mixture of real-life people and imaginative characters may include a statement to that effect.

Dedication

The dedication is usually a short one or two-line statement from the author. This is always on the right-hand page. It is often opposite the Credits page.

Table of Contents

Non-fiction books will have a table of contents as part of the front matter. This will usually include chapter numbers and chapter names. It may be broken down into parts, or chapters may have subheadings. The format of the table of contents will depend on what makes sense given the structure of the book.

Novels may or may not need a table of contents, and most don’t. However, Amazon requires Kindle books to have a Table of Contents in the front matter, even if it is as basic as Chapter One, Chapter Two (and most are that basic).

The table of contents starts on the right-hand page, and comes after the title page, credits page, and dedication.

Other Front Matter

There are other elements which may be included in the front matter or the back matter. We’ll discuss those next week … as well as the differences between front matter in paper books compared to ebooks.

Meanwhile, do you have any questions about front matter or end matter?