Anika Demeur has always been determined to escape the curse of teenage pregnancy and solo parenthood, but still finds she is repeating her mother’s mistakes. Together with her son, Kye, she accepts a job on Resolution Island on Australia’s Great Barrier Reef. Life is good, until a letter—and the arrival of a rich Texan—threaten everything.
Nate is on a mission to fulfill his mother’s last wish. But he didn’t anticipate that keeping this promise would mean getting involved in illegal fishing, a murder—and an unexpected attraction to an exasperating woman who doesn’t want anything to do with him.
Now, there is a small chance I’m biased here (because I worked with Rose Dee on the editing), but I really enjoyed A New Resolution. The characters are strong, the plot interesting, and I especially like the way the Christian elements were integrated into the story, in a way that felt quite realistic, without preaching or moralising.
I also enjoyed the developing relationship between Ani and Nate, the way the attraction was developed into a friendly relationship before either of them acknowledged that there might be something more than mere attraction. And the first kiss was great.
Australian Christian fiction isn’t perhaps as polished as the American novels coming out of the major Christian publishing houses, but this (at least to me) seems more real. In real life, things aren’t always perfect and people are a little rough around the edges, and A New Resolution reflects the Australian spirit well. It is an enjoyable and original novel, with a unique and beautiful setting.
A New Resolution is the final book in the Resolution trilogy, following Back to Resolution and Beyond Resolution. However, it can easily be read as a stand-alone novel. Recommended.
There are a lot of views around what is or is not ‘Christian fiction’. The only consistent definition is that Christian fiction ‘promotes a Christian world view’. If you have ever wondered exactly what that statement means, Ann Tatlock answers the question in this book.
I have to admit that I find Ann Tatlock’s fiction a bit hard going. She doesn’t do frothy romance or spine-chilling thrillers or romantic suspense that is a combination of the two. She writes fiction that makes you think – think about God, yourself and how the two relate. She brings this same style into the non-fiction realm, but I find it easier to deal with here, because this is what I am expecting. And this book is certainly worth reading.
It is not a long book, but it has an important theme. It explains both what postmodernism is and why it is vital that Christian authors should not follow the literary trend towards postmodernism.
What is postmodernism? What does it mean that we’re living in a postmodern culture? In simplest terms, it means we no longer believe in absolutes. There’s no such thing as absolute truth. Everything is relative…In postmodern literature, the author isn’t saying anything. More accurately, the author can’t say anything… You, the reader, have to decide what the text is saying to you.
Based on this book I would say that if you are a Christian, your writing should proclaim a Christian world view whether you are writing for the Christian (CBA) market or the general (ABA) market. If it does not, then you are deceiving your readers and possibly yourself. C S Lewis credits Phantastes by George MaDonald as opening his eyes to the possibility of holiness. American atheist William Murray credits Taylor Caldwell and her Dear and Glorious Physician. Fiction can change lives, so never be ashamed of writing it. You have no idea what seed you may be sowing, watering or reaping.