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Can I Edit my Novel with Grammarly?

Dear Editor | Can I Edit my Novel with Grammarly?

I usually answer these kinds of questions with an it-depends kind of answer. Sometimes the answer is yes and sometimes it is no, depending on a variety of factors.

This is no one of those times. My answer is clear.

No.

You can’t edit your novel with Grammarly. (And I’m not just saying that because I’m an editor.)

Well, you can. But it won’t be correct.

This topic has come up in several editing groups I’m a member of. Yes, editors may well have a vested interest in saying they can do the job better than a piece of software. After all, that’s how editors earn money.

The general consensus among editors is that Grammarly is correct around half the time.

The challenge for authors who need help with spelling and grammar is working out which half.

I also have a real-life example to prove my point: a novel the author claims was edited in Grammarly. We’re both members of a Facebook group for writers, and the author shared that in a post. That’s all I’m going to tell you about the book. The point here isn’t to embarrass a new writer.

The point is to show that while Grammarly can identify more errors than spellcheck, that’s not going to give an error-free novel. Far from it.

Let’s go through the first few paragraphs in the Kindle sample:

“Sonny Quick, under the table.”

This sentence is grammatically correct if we assume the unnamed speaker is telling a character named Sonny Quick to get under the table. Unfortunately, that is not the case: the next line makes clear the unnamed speaker is telling a young boy called Johnny to get under the table.

To make this clear, the sentence should read:

“Sonny, quick, get under the table.”

This shows “quick” is an instruction, not the character’s surname.

Better still, revise the sentence to give the character’s name (Johnny), and avoid the awkward double commas:

“Johnny. Get under the table. Quick.”

Let’s move on.

Lieutenant Smith stomped in, slamming the door open.

Again, this sentence is grammatically correct: the words are spelled correctly, capitalised appropriately, and the punctuation is in the right place.

But it describes a practical impossibility. The lieutenant must open the door before he stomps in. Not after. As such, the sentence should read:

The door slammed open, and Lieutenant Smith stomped in.

So we have had two sentences that Grammarly has punctuated in a way that is technically correct, but which is incorrect based on the actual content.

This next sentence is missing two commas and a period. It also says “horseshoes” even though a blacksmith can only beat one horseshoe at a time. The sentence should read:

Mr Thomas said to Lieutenant Smith, “Johnny hasn’t turned up to work this morning, so I don’t know where he is. I’m busy.” He kept beating the horseshoe he was making.

That’s how a competent proofreader (or grammar checker) would edit the sentence. A line editor or copyeditor would revise the paragraph to start with dialogue and move the action beat to the middle:

“Johnny hasn’t turned up to work this morning.” Mr Thomas beat the horseshoe he was working on. “I don’t know where he is. I’m busy.”

Why? Because we don’t need to know who Mr Thomas is talking to. It’s obvious.

Lieutenant Smith grew red! His anger was visible.

The sentence doesn’t need the exclamation mark! It’s not a Hardy Boys novel! Too many exclamation marks are annoying! (They can also be a sign of poor writing …)

On the plus side, first the sentence is showing. Unfortunately, the next sentence tells the emotion, which isn’t necessary.

Mr Thomas’s shoe tapped Johnny on the knee, just motioning that he would keep him safe.

Again, this sentence is grammatically correct. But it doesn’t make sense. Try to visualise the scene: Mr Thomas is making horseshoes, an activity normally conducted on an anvil in a forge. I’m no blacksmith, but the pictures and demonstrations I’ve seen have the blacksmith facing an anvil (which he beats the horseshoe on). The anvil is positioned beside the forge, so the blacksmith can easily heat the metal. There will also be a bucket of water next to the anvil, so the blacksmith can quickly cool the metal.

At least, that’s how I picture a blacksmith’s forge. But that doesn’t match the description we’re given.

  • If Mr Thomas is facing the anvil, how can he tap Johnny on the knee with his foot?
  • Where is the workbench? It can’t be in front of Mr Thomas, as then the lieutenant would be able to see Johnny. It can’t be behind Mr Thomas, as that would mean making an awkward movement that would be sure to attract the lieutenant’s attention.

I don’t know. Again, an editor would have asked these questions so the author could either revise or delete the sentence.

That’s a lot of errors for four sentences on the first page of a novel. My conclusion: if you’re writing a novel, Grammarly is no substitute for a competent human editor.

If you don’t know show from tell, find someone who does.

If you don’t know first person from third person point of view, find someone who does.

If you don’t know right from wrong (or write from right from Wright), find someone who does.

Because you can’t rely on even the best online grammar checker.

Best of the Blogs

Christian Editing Services | Best of the Blogs | 21 October 2017

The best of the blogs: must-read posts on writing, editing, publishing, and marketing your books.

Writing

Genre

What is women’s fiction? (Yes, it is a recognised genre.) Orly Konig visits Seekerville and attempts to explain The Mystery of Women’s Fiction.

Prologues

Many publishing professionals warn writers against using prologues. Why? And when can a prologue be a good idea? Meg LaToree-Snyder gives her tips in The Great Debate: To Prologue or Not To Prologue.

It may also depend on the genre you’re writing. I’ve read that Young Adult books shouldn’t have prologues, because young adult readers don’t read them. I asked my teenage daughter, and she says she only reads the prologue if it’s less than a page … and sometimes not even then.

Plot

To plot or pants? And how? Jenny Hansen shares a range of plotting methods at Writers in the Storm. Me? I’m working through Story Genius by Lisa Cron, supplemented by feedback from Michael Hauge (which I’ll talk about in my post next Wednesday).

Productivity

Tamara Alexander visits Inspired by Life and Fiction to share 10 Tips for Staying Focused. I’m going to work on #1 and #4 over the next week. What are you going to focus on?

Writing Skills

What are you good at in terms of writing? What are you not so good at? Are you ever tempted to do more of what you’re good at to avoid improving your weaker areas? In this post, Julianna Baggott challenges us to take her writerly skills test, and work on our weak areas.

Karen Hertzberg from Grammarly uses cooking as an analogy for writing as she shares 9 Easy Tips That Will Improve Bland Writing.

Motivation

KM Weiland from Helping Writers Become Authors has a great post: The Only Good Reason to Write, in which she outlines five not-so-good reasons to write, and (surprise!) the only good reason. Do you agree with her conclusion?

I won’t be posting Best of the Blogs next week (28 October 2017), because I’ll be in Australia at the Omega Writers Conference. But I have a book review for you instead, so stay tuned. Subscribed. Feedly-d. Or however you read blogs.

Best of the Blogs: 4 February 2017

The best blowww.christianediting.co.nzg posts on writing, publishing, and marketing I’ve read in the week to 4 February 2017 (and can you believe January is already over?):

 

 

 

What is Christian Fiction?

Can we define it? It’s a question with as many answers as authors. Or perhaps as many answers as readers. E Stephen Burnett shares his thoughts in How to Fix Christian Fiction: More Christianity. I don’t agree with everything he says, but he raises interesting points:

http://www.speculativefaith.com/fix-christian-fiction-christianity/

I’ve previously shared my definitions of Christian fiction on my author website:

Writing Life

Balancing life and writing is often a challenge. In this encouraging post, Tricia Goyer visits The Steve Laube Agency blog and says the key to doing it all is to not do it all, and to batch tasks: How to Balance a Busy Writing Schedule and a Busy Life.

We’ve all read the advice: write every day. We’ve (probably) all felt bad that we don’t reach that standard. I found this post encouraging because it reminded me I do write every day (well, almost every day). What do you think?

https://www.grammarly.com/blog/things-you-write-every-day/

Publishing

Over the last month, I’ve revised and reposted several of my own posts warning against vanity presses. These posts appeared at Australasian Christian Writers:

I also spent a good part of yesterday adding another nineteen (!) publishers to Christian Publishing: A Guide to Publishers Specializing in Christian Fiction. I’ll include those in the next edition of my newsletter—use the box on the right to subscribe if you don’t already.

Marketing

The eternal challenge … I’ve spend the last two weeks immersed in marketing books and blog posts as I prepare for my first-ever March marketing challenge: Kick Start Your Platform (if you’re interested in participating, click here to sign up).

I’ll be sharing a heap of marketing resources during March, but I have two I want to share with you today. This post from Nina Amir takes you through the big questions of how to create a social media marketing plan, then ends with helpful tips from other writers.


And I’ve just finished reading Sell More Books with Less Social Media by Chris Syme, and was gratified to find my planned curriculum for March exactly matches up with her recommendations. If you’d like to find out what they are, you can buy the book on Kindle. She also has a free online course to go with the book.

Okay, so that’s not a blog post. But it will be once I’ve written and published my review!

 

What was the best or most useful blog post you read this week? Share in the comments.