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Understanding Fair Use and Fair Dealing

Copyright for Writers: Understanding Fair Use and Fair Dealing

My previous two posts looked at Understanding Copyright and How and When Can I Use Copyrighted Material? As I mentioned, creators (including authors and bloggers) can use copyright material without permission when it falls under the doctrine of fair use or fair dealing. That’s what we’re discussing today.

As you read this, please note that I am not a lawyer, and this is not legal advice. There is a lot of great information about copyright on the internet, but none of it is legal advice. To get legal advice, you pay a lawyer licensed to practice in your state or country.

What is the Doctrine of Fair Use or Fair Dealing?

The doctrine of Fair Use (US) or Fair Dealing (UK and New Zealand) permits limited use of copyrighted material without permission. The key word here is ‘limited’. You can’t copy everything.

But there are no clear guidelines as to how much you can copy.

When Does the Doctrine of Fair Use Apply?

The United Kingdom has three uses of copyright information that provides a defence for fair dealing:

  • For the purposes of research or private study.
  • To allow for criticism or review.
  • For the purpose of reporting current events (excluding photographs).

These are pretty straightforward yes/no questions for those who are using copyrighted content. However, the use also needs to be ‘fair’, which isn’t so easy to define. ‘Fair’ can include consideration whether the use of the work affects the market of the original work, whether the amount used is reasonable and appropriate, and whether the original creator receives sufficient acknowledgement.

US law considers four factors in a Fair Use defence:

In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:

  1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
  2. the nature of the copyrighted work;
  3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
  4. the effect of the use upon the potential market for or value of the copyrighted work.

Fair Use and Fair Dealing

Overall, while the UK and the US use different language, the intent is the same: to prevent the inappropriate unauthorised use of copyrighted material.

But what does this mean for authors and bloggers? How can we tell if our use is fair? In my non-expert opinion, there are four main questions we must ask ourselves before copying information to use in a blog post or include in a book:

  • Is the original work covered by copyright?
  • Is my proposed use commercial?
  • Is my proposed use transformative?
  • How much will I use?

Is the original work covered by copyright?

This will depend on:

  • The date the work was first published.
  • Where the work was first published.

As a general guide, anything first published before 1923 is likely to be in the public domain.

Steve Laube has blog post with some handy information on how to find if a work is covered by copyright:

Note that these are US resources. These sources may not give correct information if the work in question was first published outside the US.

Is my proposed use commercial?

Copying or reproducing copyrighted material is more likely to fall under fair use if there is no commercial benefit to the user. This means churches can quote a verse of the week in a church bulletin, but can’t reproduce and sell the Book of Acts. A quote in a free blog post is more likely to be considered fair use than the same quote in a paid book or training course.

Is my proposed use transformative?

Transformative uses add something new to the original work, and this is more likely to be considered fair use. Common examples of transformative use include commentary and criticism, and parody:

Commentary and Criticism

The principle of fair use allows authors to quote from the original work for the purpose of commentary or criticism. This could include:

  • writing an article or blog post
  • writing a book review
  • writing a news report

The underlying rationale of this rule is that the public reaps benefits from your review or blog post or news report, and that benefit is enhanced by including some of the copyrighted material.

Of course, the original author may reap some benefit as well, especially if it’s a glowing five-star review.

Transformative use implies that there is more original work than quoted work. Quoting a hundred words from another author and adding a sentence of your own is less likely to be considered transformative than quoting a sentence from another author and adding a hundred words of your own (I may be wrong. But I don’t want to be the test case. Do you?).

Parody

Parody imitates a well-known work in a comedic way (think Weird Al Yankovic or The Key of Awesome).

Parody permits extensive use of the original. Print examples include Where the Wild Mums Are and Where the Wild Dads Are.

The day Mum didn’t get dressed and went on strike, Dad called her ‘a Wild Thing’ and Mum said ‘Cook your own dinner’ and stomped off upstairs to have a bath . . .

I couldn’t possibly relate.

How much will I use?

The larger the proportion of the total work quoted, the less likely it is to be considered fair use.

This includes the quantity and the quality of the work. If you only quote one line, but that line is key, it’s less likely to be considered fair use:

Even a smaller percentage of the work can be an infringement if it constitutes the heart of the work being quoted. 

Source: Chicago Manual of Style, 16th Edition, 4.79

This question of proportion is relevant with song lyrics. A book meme (i.e. non-commercial use) quoting ten words from an 80,000-word novel is likely to be considered fair use. A novel (i.e. commercial use) quoting ten words from a 200-word song is less likely to be considered fair use. A novel quoting an entire poem is not fair use.

Unfortunately, there are only guidelines. There are no clear rules:

Courts evaluate fair use claims on a case-by-case basis … there is no formula to ensure that a predetermined percentage or amount of a work—or specific number of words, lines, pages, copies—may be used without permission.

If in doubt, leave it out.

Do you have any questions or advice on copyright or fair use/fair dealing?

How and When Can I Use Copyrighted Materials?

Copyright for Writers: How and When Can I Use Copyrighted Material?

Last week, my post introduced the concept of copyright and how it applies to authors. The most common question in the comments was about legally using copyrighted material in our own work. Today I’m discussing when and how authors, bloggers, and other creators can use copyrighted material. 
As you read this, please note that I am not a lawyer, and this is not legal advice. There is a lot of great information about copyright, but none of it is legal advice. To get legal advice, you pay a lawyer licensed to practice in your state or country.

When Can I Use Copyrighted Material?

In my research, I’ve found three instances where authors and bloggers can use material created by others:

  1. When the material is not under copyright
  2. When the copyright holder gives permission
  3. When the use falls under the doctrine of Fair Use (also known as fair dealing)

When the Material is Not Under Copyright

Public Domain

Not everything is covered by copyright. Works which are not under copyright are considered to be in the public domain. This includes works published in the US before 1 January 1923, or works by authors who died more than seventy years ago (although this “life plus seventy” rule is lower in some countries).

Facts and Ideas

Facts and ideas are not covered by copyright, but the original expression of those facts and ideas is. However, it’s still a good idea to disclose the source of your facts (especially in the modern era of fake news).

When the Copyright Holder Gives Permission

Creative Commons

Some work on the internet is covered by a Creative Commons licence—the best example is WIkipedia. This means people can copy without permission, although they should still give the correct attribution. Copying without attribution is plagiarism. There are several types of Creative Commons licence, and you can find out more at CreativeCommons.org/.

Crown (or Government) Copyright

Many government publications can be reproduced without permission in many circumstances. US government publications are public domain in the US, but copyright outside the US. Many Commonwealth countries use Crown copyright, although the specific regulations in each country are different.

In Australia, the Crown holds copyright to anything first published under direction or control of the government. Legislation and other “prescribed works” may be copied and sold, as long as the sale price doesn’t exceed the price of copying.

In New Zealand, all work produced by government departments and MPs as part of their work is copyright to the Crown. Legislation and certain other documents do not carry any copyright. Logos, emblems, or trademarks can’t be reproduced without permission, probably because that could lead to “passing off” (e.g. the scam emails with official logos claiming you owe money to a power company you don’t use).

Material covered by Crown copyright can be reproduced free of charge without permission, as long as it meets these three criteria:

  • Reproduces the material accurately.
  • Doesn’t use the material in a derogatory manner or a misleading context.
  • Acknowledges the source and copyright status of the material.

These make good guidelines for sharing any material produced by someone else, whether under copyright or in the public domain.

Creative Commons and Crown copyright are effectively forms of the copyright holder giving blanket permission for creators to use their material, as long as creators abide by specific rules. Bible translations are subject to similar terms, as I mentioned last week.

For everything else, creators need written permission from the copyright holder … unless their copying falls under what the US government refers to as “fair use” and the UK and New Zealand governments refer to as “fair dealing”. It’s too much to cover in one blog post, so I’ll cover fair use in my next post.

Meanwhile, let’s look at one more important question: how can we use copyright material?

How Can I Use Copyright Material?

Get Permission

If you want to use copyright material for commercial purposes (i.e. in a book you plan to sell for money), seek written permission from the copyright holder in advance, or ensure your use is covered by fair use/fair dealing (which we’ll discuss in my next post).

Identify Your Quotes

Make it obvious what is a direct quote by:

  • Including the quote in quotation marks.
  • Changing the look of the quote by using a different font, a different font colour, or a different font style (e.g. bold or italics).
  • Separating the quote from the main text by indenting it or placing it in a box.

Not identifying quotes is plagiarism—passing off someone else’s work as your own.

Identify Your Source

This is easy on the internet—you just need to add a hyperlink to the relevant article or blog post. It’s a little harder in a paper document, but that’s why Word includes a References section, so you can easily add captions, citations, footnotes, and endnotes.

Provide attribution to your sources even if they are out of copyright—passing someone else’s work off as your own is plagiarism. It might not be illegal in your jurisdiction (although it is in the US), but it is unethical.

Quote Accurately

Ensure your quotations are accurate—don’t change the meaning.

Keep Quotes Short

Keep your quote as short as you can while still making your point. The longer your quote, the less likely it is to be considered fair use or fair dealing. Note that there is no official formula (e.g. using less than 10%).

Additional Information

For more information on copyright and fair use in your jurisdiction, ask your favourite internet search engine. No, you can’t trust everything you read on the internet, but here are some of the trustworthy source I found:

Government Sites

Copyright New Zealand
Australian Copyright Council
Copyright law in the USA
UK Copyright Service
New Zealand Intellectual Property Office

University Sites

Harvard University
Stanford University

Not-for-profit Sites

Creative Commons
Plagiarism.org

Individual blogs and posts from lawyers or publishing professionals

The Passive Voice Blog
Susan Spann
Kristine Kathryn Rusch

If you’re still not sure whether you can copy something … don’t.

Copyright for Writers—Understanding Copyright

#AuthorToolBoxBlogHop | Copyright for Writers—Understanding Copyright

This post is part of the monthly Author ToolBox Blog Hop, organised by Raimey Gallant. We now have over 40 blogs participating. To find more Blog Hop posts:

What is Copyright?

All writers need to understand the basics of copyright for two reasons:

      • So they know their rights in regard to the work they write and publish
      • So they do not infringe the rights of other creatives

So what is copyright?

In essence, copyright is the right to copy. (Sounds obvious, right?)

Copyright includes the right to reproduce, distribute, and display copyrighted works. It is a form of intellectual property, an asset that has monetary value. Copyright law is designed to protect the rights of those who create content.

What Does Copyright Cover?

Copyright covers original works, whether words, sounds, or images, and whether published or unpublished. This includes:

      • Books
      • Blog posts
      • Music
      • Lyrics
      • Movies
      • TV shows
      • Scripts
      • Plays
      • Speeches
      • Poems

Yes, copyright broad. Basically, copyright covers the creation of any original work, in any form.

There are a few things copyright doesn’t cover, such as:

      • Ideas
      • Book titles
      • Words

I’ll deal with these in a later post.

Who Owns the Copyright to a Published Book?

The author (well, they should). The author signs a contract with a publisher which licences specific rights. This licence gives the publisher the temporary right to reproduce, distribute, and display copyrighted works (i.e. to print and sell the book).

A good contract will specify what rights are included, e.g. the format of the book, the language, and the countries the book can be sold. It will also include how the author can get those rights back (e.g. so the author can self-publish the work). Never sign a contract that’s for life of copyright. That basically means the publisher owns the book, not you.

If you want to know more about the ins and outs of publishing contracts, I recommend Kristine Kathryn Rusch’s blog.

Copyright is Automatic

Copyright is automatic for work first published after 1 March 1989. Works do not have to have a © symbol or notice of copyright to be covered. The law is more complex for earlier work, so it’s best to assume a work is covered by copyright unless you have evidence to the contrary.

Copyright is International

All countries have laws relating to copyright. While there are minor differences (e.g. the length of copyright, whether you need to register copyright), the principles are the same, thanks to the Berne Convention.

There is a legal concept known as the long arm of the law. I thought this a cliché used in Western movies, but it apparently is a real thing. Author and lawyer Courtney Milan says:

you can be prosecuted by a state so long as you have “minimum contacts” with that state.

Milan was talking about online giveaways, not copyright law, but my unlegal interpretation* of long-arm jurisdiction is that anything you publish needs to abide by:

      • The copyright laws where you live.
      • The copyright laws where you publish.
      • The copyright laws where your readers live.

So a blog post (like this one) that attracts readers from Australia, Canada, New Zealand, South Africa, the UK, and the US needs to comply with US copyright law. And Australian copyright law. And Canadian copyright law. And New Zealand copyright law. And … you get the picture.

Copyright is Universal

Fortunately, most of the principles are universal, thanks to the Berne Convention. Where things differ by country, my suggestion is to abide by the most conservative. So if a work under copyright in country A but not in country B, I suggest you treat the work as if it was still under copyright.

Here are two well-known examples:

      • The King James Bible
      • Peter Pan

The King James Bible

Most American Christians will tell you the King James Bible is out of copyright. However, it is still under copyright in the United Kingdom—copyright is held by the Crown i.e. HM Queen Elizabeth II. King James Bibles are published in the UK by the Crown’s patentee, Cambridge University Press.

So if it’s reasonable to assume your book might be purchased in the UK, it would be appropriate to include the appropriate copyright statement. (Not that I’ve ever heard of the Queen suing anyone for copyright infringement over the King James Bible. But it could happen.)

Note that it’s not the original text of the Bible which is subject to copyright, but the translation.

So all more modern versions of the Bible, including the New King James Version, are under copyright, because they are translations. Most modern translations allow authors to quote up to a specific number of verses without written permission as long as the follow specific guidelines. You can find up-to-date copyright and permission information by clicking on the relevant version at Bible Gateway.

Peter Pan

JM Barrie gifted the copyright to Peter Pan (the play and the later novelisation) to Great Ormond Street Hospital for Sick Children in 1929. That copyright originally expired in 1987, but the UK Copyright, Designs and Patents Act 1988 includes a clause that specifically states GOSH has a right to royalty in perpetuity in the UK for stage productions, broadcasting, or publication.

But that doesn’t apply internationally. The novel is considered to be in the public domain in most countries, although the play version is still in copyright in the US until 2023 (so if Hollywood wish to produce a Peter Pan movie, the producers must licence the rights from GOSH).

Copyright Infringement

Copyright infringement is a big deal. It’s against the law in the same way as stealing is against the law.

Plagiarism is quoting other people’s work without appropriate attribution.

Author Rachel Ann Nunes found her Christian romantic suspense novel, A Bid for Love, had been plagiarised by “Sam Taylor Mullens”. Mullens was later discovered to be Tiffanie Rushton, a teacher from Utah. She also indulged in identity theft, using the real names of her third-grade students to create fake accounts to review her own books. Yes, a real sweetie.

Rushton changed the point of view in A Big for Love from third person to first person, and added some sex scenes. Nunes started a GoFundMe page to fund her legal defence. It’s taken four years, but she’s finally been awarded the maximum statutory penalty, $150,000 (which doesn’t sound nearly enough for a case that’s taken four years).

Does This Mean I Can’t Use Copyrighted Material?

You can still use copyrighted material if you have written permission from the copyright holder (note that this may not be the original creator—Paul McCartney doesn’t own the rights to most of the 250+ songs he created with John Lennon).

You can also use copyrighted material without permission in certain specific circumstances, as outlined in the US doctrine of Fair Use.

I’ll be back next week to discuss Fair Use, and give some tips for using copyrighted material without getting into trouble.

Please note that I am not a lawyer, and this is not legal advice. There is a lot of great information about copyright on the internet, but none of it is legal advice. To get legal advice, you pay a lawyer licensed to practice in your state or country. 

What questions do you have about copyright?