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Best of the Blogs

Best of the Blogs: 23 September 2017

Best of the Blogs: it’s all about writing this week!

This week was the monthly Author ToolBox Blog Hop, courtesy of Raimey Gallant. While all the posts were good (and you can click here to find the links to each post), there were two I thought were outstanding.

Characterisation

The first was from Erika Timar, who applies her experience in creating characters as an online RPG gamer to writing fiction in Character Creation—Building From Cliches. She points out that readers like familiar characters because they are relatable … and relatable is the key to being marketable.

Author Intrusion

The second was from editor ML Keller, on Correctly Using Author Intrusion. It’s a form of telling, but as I discussed in my own post this week, telling isn’t always bad. I would point out that her examples were older novels. Do you know of any contemporary novels that use author intrusion well?

Other excellent writing posts …

Story Secrets

Award-winning author Rachel Hauck visited Novel Rocket to share The Secret To Powerful Stories. How does your novel rate against Rachel’s criteria?

Subplots

In Five Tips for Organising Subplots, KM Weiland gives three types of plot, four types of subplot, and her five top tips. Her main point: there are no subplots, just plots.

Flashbacks

Finally, Kristen Lamb visits Angela Ackerman and Becca Puglisi at Writers Helping Writers to share about Flashbacks: when is a flashback not a flashback, and the difference between a flashback and a parallel timeline.

What great blog posts have you read this week? Share in the comments.

Best of the Blogs

Best of the Blogs: 24 June 2017

Best of the Blogs: the best posts I’ve read this week on writing, editing, publishing, and marketing.

Although mostly on writing, thanks to the #AuthorToolBoxBlogHop hosted by Raimey Gallant. (Click here to read my contribution to the blog hop).

Writing

Passive Voice

What’s The Deal With Passive Voice, from ML Keller, is one of the best posts I’ve ever read on passive voice—what it is, when it’s bad, and when it’s not so bad (hint: it’s not removing every was or to be from your manuscript).

Point of View

Point of view is a huge issue for writing. With beginners, it’s understanding that third person is not omniscient, or that headhopping an issue. (Adding a *** every three lines doesn’t make it a new scene with a new POV character.)

In Deep Point of View, K Kazul Wolf shows how to write deep point of view. As she points out, it’s nebulous and hard—it’s moving beyond ‘rules’. You can make a ‘rule’ not to use filler words. But it takes skill and hard work to move from “they fought” to showing the reader the fight.

Micro-Plotting

Micro-plotting is David Farland’s term for ensuring you’ve got all those nitty-gritty details in your story that ensure your readers are engaged with your character, and that your plot makes sense. Confused? Read the post.

Writing Christian Fiction

Blog posts from Mike Duran at deCOMPOSE always get me thinking. In The Importance of Implicit (v. Explicit) Christian Content in Fiction, he explores the trend for Christian authors to write for the general market. Duran introduces Holly Ordway’s idea of a “two-step conversion”: moving first from atheism to belief in God, then to embracing Christianity.

He points out that many Christian novels focus on this second step (or feature characters who are already Christians), and don’t address the necessary first step. Duran says:

While a work of fiction may not explicitly articulate the Gospel, it can still contain implicit elements which engage a person’s imagination and move them forward in their spiritual pilgrimage.

Not Writing Preachy Characters

It’s not just Christians who overdo the preaching in their writing. In this post (also from the #AuthorToolBoxBlogHop), Raimey Gallant shares Five Ways to Temper the Preachy in Your Plot. She’s not talking about religious preaching, but about the issues preaching—the environment, assisted suicide, political views …

I can think of a general market romance author I stopped reading after her novels detoured from straight romantic suspense with a touch of comedy to romantic suspense with a heavy dose of gay rights. I could have lived with a gay couple (hey, I can skip pages I don’t want to read). What I couldn’t live with was the preachy telling. Remember the show, don’t tell rule? Well, this author switched to tell, don’t show, and it did her message no favours.

I’ve recently read a Christian romantic suspense novel where the heroine was All About The Issue in a way which made Erin Brockovich seem like a disinterested lightweight. I couldn’t like the character even though I agreed with her stance, and that made it impossible for me to enjoy the novel.

Marketing

Craft Your Self-Publishing Plan for Success: Tips From an Indie Author is an outstanding case study from author Laini Giles, visiting Your Writer Platform. Giles takes readers through her publishing objectives, and how she worked to achieve them. What I thought was especially clever was how she identified her target audience, then marketed to them—including attending events her target reader would also attend.

One learning point: for all her success, she wishes she’d started building her email list earlier.

Productivity

Book coach Nina Amir is also a Certified High Performance Coach. This week, she gives solid tips to reaching your writing goals (and not making excuses).

What blog posts have you read this week that are worth remembering?