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Dear Editor: How do you keep God first in marketing?

Dear Editor | How do you keep God first in marketing?

Yes, this is another post taken from a question I saw in a Facebook group:

How do you market your books in a way that shows humility and points to Christ?

The fact you’re asking this question means you’re already well on the way to making sure your marketing is focused on God, not you. That’s great.

But I suspect it also means that you’ve bought into the common lie about what marketing is—that marketing is the annoying and sometimes smarmy push-push-push used to make the sale.

It isn’t.

Making the sale is selling. That’s important, but it’s not marketing. Marketing is about creating a product or service a segment of people will want to buy, then bringing that product or services to the attention of that segment.

Traditional marketing focuses on the four P’s: Product, Place, Price, and Promotion.

Even when I studied marketing, back in the dark ages of the early 1990’s, promotion was merely one aspect of marketing. And that was for traditional consumer goods marketing.

Now I believe there are seven Ps for the Christian author to consider: Prayer, Product, Package, Place, Price, Promotion, and Platform.

Let’s take a brief look at each:

Prayer

As Christians, our marketing should begin in prayer. It should end in prayer. It should be bathed in prayer. We need to be seeking God to know what he wants us to write—what topics, what formats, what word count. We need to know how and when he wants us to publish—publish a physical book or share our writing on a website or blog? Traditional publication or self-publishing?

(The only wrong answer here is vanity publishing; I believe that for 99% of authors or more, a vanity publisher is a bad deal because it’s bad stewardship of our financial resources. Having said that, even the owners and employees of vanity publishers need to hear the gospel, so if that’s the job God has given you, do it and do it well.)

Product

Traditional marketing starts with Product: offering a product (or service) customers will want to buy.

For writers, this means writing the best book or blog post we can write. It means learning to write, and learning to write well. Learning, learning, learning. Then writing, writing, writing. Writing the book or the blog post God calls us to write. It doesn’t matter whether we write fiction or non-fiction, literary or genre. It doesn’t even matter if it’s a book or not. Marketing our writing starts with writing well.

Seek excellence, because excellence honours God.

Package

Package is about taking that product and turning it into something the reader can access.

For a book, this means hiring the best editor we can afford—someone who will take your book apart and put it back together again, only better. Then we hire the best cover designer you can find, someone who will design a cover that appeals to your target reader. Package also includes the formats in which you sell your book: hardcover, paperback, ebook, audiobook, podcast.

But not all writing has to be published in a book. Letters, blog posts, magazine articles, devotionals … all are valid ways of writing in obedience to God’s call. Consider how these shorter offerings can be packaged for the reader.

Place and Price

Traditional marketing then moves onto Place and Price: distributing our Product to our target customers (Place) at a Price they are willing to pay.

For traditionally published authors, the publisher will control Place and Price.

If we self-publish, then our big decisions are Place (sell ebooks exclusively through Amazon or do you go “wide” and sell through other retailers as well) and Price (largely driven by what readers expect to pay, which is related to what other authors in your genre charge). Remember, the worker is worth his or her hire, so there is nothing wrong with charging for our work. Paul supported his missionary journeys by making tents.

We might decide to give our work away, either as a free book or by writing for a blog. That’s a valid decision if we’re writing for God, as “free” removes one of the barriers to making a sale. But making our writing freely available doesn’t mean our writing is read—that’s going to come back to Product and Promotion.

Promotion

Promotion is the final aspect of traditional marketing. Traditional promotion was a combination of push and pull marketing—pushing advertisements out to the world at large, and hoping to Pull customers into the store to buy your product.

Now we’re a little more sophisticated. We can target our advertisements on sites like Amazon and Facebook and Goodreads, to (hopefully) focus only on our target customer. We can cross-promote with other authors in the same genre. And we can promote ourselves and others using our Platform.

Platform

Platform is my preferred method of promotion because it reflects the approach I believe we need to take to marketing: to identify our audience, and seek to serve them.

Platform allows us to emulate Jesus by serving others, not ourselves.

What does this mean? Well, serving ourselves is easy to identify: it’s the author who tweets “buy my book” every six minutes of every hour of every day. It’s the author who constantly pins her own book covers. It’s the author who constantly posts quotes from her own books on Facebook and Instagram. It’s the me-me-me author who never talks about anyone but herself, who never responds to comments or social media mentions because her “marketing” is all on autopilot so she can focus on obsessing about her sales (and grouching because she’s in Facebook jail for self-promoting her book in a hundred Facebook groups in quick succession).

Serving others is harder. It requires more up-front thought, and more effort than scheduling the same 1,600 Tweets each week.

Serving others is about:

  • Identifying our target reader.
  • Working out what subjects our target reader is interested in.
  • Serving our current and potential readers by finding and posting content about those subjects.

There is a name for this: content marketing.

The principle of content marketing is that we don’t directly market ourselves. Instead, we share information that serves others, and use that as the way to attract potential readers. It’s about being real and authentic, about engaging with our readers and turning them into fans.

Good content marketing follows the 80:20 rule:

  • 80% of what you share is information (content) that will interest and engage your target reader.
  • Only 20% of what you share is direct self-promotion. And even that should still be designed to interest and engage your target reader.

If we’re actively marketing to a Christian audience, then some of that content will point directly to Christ. For instance, we can share:

  • Bible quote memes.
  • Inspiring Christian quotes.
  • Devotional posts.
  • Deeper thoughts on God and the Bible.

We can still point to Christ even while marketing to a mainstream audience. For example, one Christian author I know who writes general market romance has a link to Bear Grylls advertising the Alpha course on the bottom of her website. Another is a pastor’s wife, and often posts about church services or events. Others are more subtle—you can see their Christian faith come through in their writing. It’s not overtly Christian, but it still points to Christ for those who have ears to hear.

Our focus on on serving your audience.

God has given us a message to share through our writing. He therefore wants us to share that message. To do otherwise would be to hide our light under a bushel.

And we can share that in humility and in a Christ-like manner. Jesus was the Messiah, yet didn’t promote himself. He said very unpromotional things, like the least shall be first. He pointed to His Father in all things. We can do the same.

This method of marketing isn’t going to produce instant results.

It’s playing a long game. So is God. It’s giving without expectation. As Jesus did. It’s about delivering the message God has placed on our hearts, and trusting the Holy Spirit to get it to the people who need it.

At the end of the day, if we are focused on God, if we are writing and publishing what you believe He has called us to write and publish, then we’re going to have to trust Him with the results. Bathe our writing in prayer, sow our seeds, serve others, and trust God to bring His harvest in His time.

Meanwhile, if you’d like help in establishing a Christ-centred Platform, click here to check out the Kick-Start Your Author Platform Marketing Challenge.

What content can you share that will promote your writing and point to Christ?

Marketing 101: Price Revisited

Five Reasons Free Isn’t Working

A lot of authors choose to price their new release free to raise awareness and build readership. Or KDP Select members might use their five free days to increase visibility and sales. But free isn’t working the way it used to.  Authors aren’t seeing the increase in visibility or the spike in sales from free books that was common two years ago (and which is why, if you are looking for books about marketing your novel on Amazon, I don’t recommend buying any book written before 2013).

Here are five reasons free doesn’t work as well any more:

1.    Bestseller lists

Free books used to count towards bestseller status (in that one sale of a free book counted in the same way as one sale of a full-price or sale book). This changed in March 2012, and free sales no longer contribute towards bestseller status. Strike One for free books.

2.    Popularity status

Free books used to count towards popularity status (the books that show up first on a category search) in the same way as they counted towards bestseller status: one sale of a free book counted the same as one sale of a paid-for book. No more. Free books still contribute towards popularity, but you need ten free sales to equate to one paid sale. Strike Two for free books.

3.    Amazon Associates

Strike Three was the changes to the Amazon Associates affiliate marketing programme. This programme allows websites to link to Amazon products, and the affiliate then earns a percentage of any purchase resulting from that link. Many websites are a member of the programme, if only because it allows us to use book cover images without infringing copyright (for most websites, it’s not for the money —I’ve earned less than $20 in two years). As an example, if you click on any of the book cover images on this site, they will take you to Amazon. If you click buy, I’ll earn a small commission (paid in the form of an Amazon gift voucher).

Anyway, there were a lot of websites making use of the affiliate programme and getting to the maximum fee percentage by advertising a lot of free books. While this was good for the websites, it was less good for Amazon. Since 1 March 2013, free ebooks no longer count towards sales. And—to discourage websites from advertising free deals—if more than 20,000 free Kindle books are ‘sold’ and those books make up 80% of the volume of ‘sales’, the affiliate is not eligible for any fee. These websites have moved to promoting cheap or discounted books in order to preserve their revenue stream, and it’s now harder for authors to get publicity for free books.

This is explained in detail by Ryan Casey. A number of bloggers have postulated that 99 cents is the new free (in fact, someone’s even written a book about it), as this is low enough to attract attention from consumers, yet gets around the restrictions in the Amazon Associates programme.

4.    Free listing

In August 2013, Amazon started tinkering with their Best Seller listings. Previously, each page had the Top 10 Paid and Free Best Sellers (in the chosen category) listed side by side, so the#1 Free book was displayed right beside the #1 Paid book. Now the two are on separate pages, further reducing visibility. It’s another strike against free.

5.    Owner behaviour

The first thing most new Kindle owners do is fill their Kindles with free ebooks (yes, I did). Each of those free books counted as a sale for the author, but most of them—probably close to 1,000—are still sitting on my Kindle, unread. I’m now more astute and tend to only download books I’m planning on reading.

How do I prioritise my reading? Well, as a reviewer, I obviously have to read those books I’ve promised to review. As an editor, I also read books on editing and book marketing. When it comes to choosing a book to read for pleasure, I tend to choose a book I’ve paid for, whether as an electronic or a dead tree version, even if I only paid $2.99.

And that’s the final strike against free ebooks: just because I download them doesn’t mean I’ll read them. I’m going to read the books I’ve paid for first.

Review: Is $.99 the New Free? by Steve Scott

As most authors know, making Kindle books available free through KDP Select no longer has the powerful marketing effect it did a year ago. In Is $.99 the New Free? The Truth About Launching and Pricing Your Kindle Books, Scott explores whether free still has a place in a marketing plan, or whether pricing books at 99 cents is a better strategy.

He starts by examining the four essential metrics he believes all authors should track (including sales and reviews), then discusses five pricing strategies:

#1 – Free Book Launch
#2 – $.99 Book Launch
#3 – Free Pulse
#4 – $.99 Pulse
#5 – Perma-Free

Scott then offers an eight-point strategy to developing an author platform and marketing ebooks. This isn’t new information, but it’s presented well and appears accurate (which is more than I can say for some of the marketing books I’ve read). Useful information, but covered in more depth in other books.

Is $.99 the New Free? iss around fifty pages, and currently costs less than a dollar. For that price, I think Is $.99 the New Free? represents good value for money, and is worth reading.

Marketing 101: Price

This article is part four in my series on marketing, following posts on planning, product and place.

What is the right price for a book?

If you are accepted for publication by a trade publisher, then they will set the recommended retail price for your book. The actual retailer may discount that price, so you need to understand whether your contract pays royalties based on RRP, or actual selling price.

Looking at the Christian novels on my bookshelf, most are priced at $12.99 (all prices in this post are quoted in US dollars unless stated otherwise), with some priced at $11.99, $14.99 or (rarely) $15.99. Category romances are less expensive – Barbour 4-in-1 novella collections are $7.99, and Love Inspired are $5.99.

Now, obviously, I’m based in New Zealand, so the retail price I pay for books includes shipping from the US. Most full-price novels are NZD 24.99, NZD 27.99 or NZD 29.99, with some small-press books priced slightly higher than this—which means they might miss out on my purchasing dollar because I perceive a NZD 33.95 book as ‘too expensive’ – especially when I consider the price of e-books.

Ebooks

I own both a Kindle and a Kobo, so can purchase and read e-books from all the major online sellers. New release Christian fiction generally retails for $8.99 to $9.99 on Amazon – or less than half the price of the ‘dead tree book’ at my local Christian bookshop. Some authors have pre-launch sales where the book might be available for as little as $2.99—a bargain.

Older Christian books by established authors often cheap as well—$3.99 and $4.99 are common prices (and the author may be getting a bigger royalty from that than from the full-price dead tree version). Kindle evangelist Joe Konrath (who reportedly makes $50,000 each month from Kindle sales) believes that the ebook pricing sweet spot is just $2.99. At this price he makes $2.04 off each sale, compared to $2.50 off the sale of a trade-published $25 hardcover or $0.75 off a trade paperback. David Gaughran makes similar points, pointing out that different strategies will lead to different price points (e.g. maximising readers vs. maximising profit).

Why is this important? If choose to take the self-published route, you need to understand what the market price is, and what your strategy is. If you are considering publisher through a small trade publisher, make sure their retail prices are competitive with the market.

Self-publishing

As a self-published author, you need to understand you have to charge less than this. Why? Because these tight economic times mean readers have less to spend, so they are more likely to spend their money on a known author—who will pay $17.99 for a book from an unknown author, when you can buy a bestseller from a well-known Christian author for less?

This is where the economies of scale and marketing presence of the trade publishers can have a positive effect. I might not know who Carrie Turansky is, but I can see that The Governess of Highland Hall is published by WaterBrook Multnomah, who publish a lot of excellent Christian fiction. On that basis, I am prepared to spend money on a book by Carrie Turansky. But I probably wouldn’t spend money on an unknown author from an unknown publisher without having had the book or the author recommended to me. Which brings me nicely to the subject of the next post … Promotion.

Marketing 101: Introduction

Anyone who has ever done a course in marketing will have heard of The Four P’s that form the basis of marketing strategies – Product, Price, Promotion and Place. But how does that apply to publishing? Over the next few weeks, my Saturday posts will look at what you need to know about the Four P’s and what you can do to successfully market your book.

I’ve read several current books on the subject of book marketing, and I’ll be reviewing each of them over the next few weeks, with my posting on Wednesdays. While most of the books are aimed at those who are self-publishing on Amazon and other sites, some of them have information that is useful to all writers, regardless of where they are on the publishing journey, and whether they are trade published or self-published, as there are many common principles.

As the author, your level of input into the development and implementation of the marketing plan will depend on whether you are self-publishing or have a publishing contract. Different publishers will have different levels of expectation of their authors, and this should be covered in your contract. However, all publishers expect their authors to participate in marketing to some extent, and having established relationships with readers should improve your chances of getting published.

Have a Marketing Plan

The first step is to have a marketing plan (to echo Stephen Covey, begin with the end in mind). What do you want to achieve? Do you want to sell lots of books? Do you want to make lots of money? Do you want lots of people to read your books? (Those goals might be mutually exclusive.) What must you do to achieve that goal?

In my view, it’s never too early to begin thinking about marketing. For example, one of the first decisions an author needs to make about their book is what genre it is. Is it fiction or non-fiction? Is it a devotional or a self-help book? If fiction, is it contemporary or historical, romance or action? If you’re not sure what the different fiction genres are, I suggest you reread my series on genre.

Know Your Genre

Knowing your genre will help you understand your target market: an essential piece of a marketing plan. If you don’t know who your target reader is, you won’t know how to connect with them. This is one of the key points in Karen Baney’s book, 10 Keys to Ebook Marketing Success.

Knowing your genre will help you determine your author brand: the way you want readers to see you and your work. Understand what you are, and ensure all your marketing efforts (including tweets and Facebook posts) reinforce that brand. You don’t need a fancy tagline (although a tagline is a way of keeping your marketing efforts on track), but you do need to consider and manage your brand. Joanna Penn discusses this in How to Market a Book.

Understand Your Author Brand

It’s never too late to develop and implement a marketing plan, but the earlier you understand your author brand, the earlier you will be able to begin developing and implementing a marketing plan (including that all-important platform) that introduces and reinforces that brand. An established platform will be an invaluable asset if you are seeking traditional publication, as agents and commissioning editors are more interested in authors who understand the need to be active on social media. And an established platform is essential if you decide to self-publish, as it gives you a built-in group on which to focus your marketing efforts.